It’s essential that you choose the right microphone for your guitar recordings if you want a solid result that actually sounds professional. However, it can be quite difficult to choose the right microphone if you don’t have any experience recording acoustic guitars.

Fortunately, we’re here to help you choose the right mic for your guitar recordings. We’ve put together 7 handy tips to help you find the right microphone for the job. We’ve also given you some specific recommendations for microphones that are particularly good for guitar.

Tip #1: Choose a flat microphone

When you choose a flat microphone to record your acoustic guitar, you’ll get a more accurate representation of the sound. A flat microphone doesn’t add any coloration to the recording.

You’ll find that most studio microphones are designed this way because engineers rely on external factors to color the tones they capture. For example, if you use speakers in your studio spaces, these will automatically change how your recordings sound. That’s why it’s important to choose a neutral mic for recording guitars.

However, there are some mics that do provide additional coloring or guarantee no coloring at all. This means that they’re specifically designed for recording instruments like acoustic guitars. These mics can be useful when mixing because it don’t color the sound.

Shure SM57 is a dynamic microphone that works well for recording acoustic guitars because it’s versatile and flat. This is the same mic that’s used in most music studios around the world.

Sennheiser E 835 is another great microphone for guitar recordings. It has an hyper-cardioid pickup pattern which makes it good at isolating sound sources, even when your signal gets lost in other instruments or vocals. You can use this mic to record vocals or any stringed instrument like banjos and lap steels if you adjust its frequency response with EQ settings on your pre-amp.

Tip #2: Try different polar patterns

Most studio microphones come with a single polar pattern. This means that they can only capture sound from one direction, and reject sound from other directions which can be quite a disadvantage while recording acoustic guitar.

However, there are some microphones that give you the option of capturing sounds from different directions. The classic example is the figure-8 capsule – it lets you choose between omnidirectional and bidirectional patterns depending on how you place it in front of your guitar amp or another instrument source.

A good example of a mic that gives you this flexibility is the AKG C 451 EB. It has four polar patterns: omnidirectional, cardioid, hyper-cardioid, and figure-8. Its pickup frequency response ranges from 30 Hz to 20 kHz as well, which ensures you’ll capture a wide range of frequencies in your recordings.

Tip #3: Choose a large-diaphragm mic

Another important thing to look for when you’re choosing a microphone is whether it has an elongated diaphragm. This allows the mic to capture higher frequencies without coloring them, which is especially useful if you want to add reverb and delay effects later on in the mixing stage.

A good example of a microphone with this feature is Shure KSM353. This large-diaphragm condenser mic has a wide frequency response of up to 50 kHz, which means that you’ll capture a lot more detail in the high frequencies.

Another great large-diaphragm microphone for recording acoustic guitar is the AKG C 451 B. This mic has a wider frequency response as well, which lets you capture the full range of your guitar’s tonal spectrum.

Tip #4: Look for a cardioid pick-up pattern

Cardioid is the name given to any microphone that captures sound from one direction more readily than from others. You can use this type of pick-up pattern to isolate your acoustic guitar and remove unnecessary noise from your recordings.

A good example of a cardioid mic designed specifically for recording guitars is the Sennheiser MD 421 II. It has a super-cardioid pick-up pattern that provides excellent side rejections, so it won’t suffer from audio spills or noises in your recordings.

This means that it’s great for recording guitar as you can capture the full range of your instrument without getting lost in other instruments or vocals that appear on your audio tracks.

Another example is the Shure Beta 52A. Although it has a cardioid pick-up pattern, this mic does have a very slight presence boost at 12 kHz and a presence peak at 4 kHz. This means that you’ll need to use this mic with some care when recording your acoustic guitar, but it can still work well if you apply a bit of EQ and compression while mixing.

Tip #5: Get a microphone stand and shock mount

There are many factors to consider when you’re choosing the right mic for your acoustic guitar recordings, but one of the most important ones is whether it will stay in place during takes.

If you run around while playing your acoustic guitar, there’s a good chance that the mic will move around as well, which leads to inconsistent results each time you record your instrument.

This can be especially bad if you want to play with different dynamics or switch between playing rhythm and lead parts. To avoid this, you’ll need to invest in a good microphone stand and shock mount. These accessories will keep your mic fixed at one position so you can easily pick it up again after changing the guitar’s tuning or switching between rhythm and lead sections of your song.

A nice example of a microphone stand for acoustic guitar is the OnStage Stands DS7200B. It has a weighted base that gives it stability even if you move around while playing your instrument, along with height adjustment options that let you work within any recording environment.

Another great option is the K&M 23310 Microphone Stand. This model has rubber isolation pads on all parts of its body, which reduces noise transfer during recordings due to vibrations from low. It also has a long “hose” that gives you more freedom to move around when performing, and a low-resonance clamp for securing your mic in place.

Tip #6: Use effective EQ and compression during mixing

One of the most important things you need to remember is this: acoustic guitar isn’t an easy instrument to record in the studio. It’s prone to creating feedback loops when placed near other loud sound sources such as drums or vocals, it might suffer from popping when played too close to the mic, and it can create lots of noise if not properly isolated using shock mounts and blankets.

To get rid of these issues, you’ll need some serious processing power behind your DAW (digital audio workstation). The trick is to be subtle when applying equalization and compression, so you don’t take away the natural sound of your guitar.

One good way to start is by placing a high-pass filter on your master channel. This will remove all lower frequencies that create unwanted noise in your recordings while letting the higher ones through for a more natural tone.

Another thing you can do is use notch EQ for removing very specific problem areas within your audio, such as room resonances or noises created by picking small sections of the string rather than strumming them properly.

Finally, using downward compression during mixing keeps sudden volume changes contained while preserving dynamics across different parts of your song. Although this process might seem difficult at first, mastering it gives you greater control.

Tip #7: Compress while tracking

This technique is meant to remove unwanted noise that can ruin your recordings while adding consistency across takes. Even if this is not directly related to your microphone, it definitely will make your acoustic guitar recordings sound better.

What you need to do is place a compressor on the input channel of your interface, making sure there are no other effects in the signal path. This way, all compressor settings will be applied permanently to every part of the acoustic guitar recording without ruining its natural dynamic range.

To get started with compression, try setting an attack time of around 10 ms and a release time of about 100 ms. Then bring down the threshold until you start seeing gain reduction meter bars appear on screen – these indicate that audio level has entered into the compressor’s detection circuit.

Finally, raise the ratio until you see 3-5 dB of gain reduction, and you’re done! You’ve successfully created permanent dynamic compression that will ensure every part of your song stays consistent in volume.

Those are our 7 tips for getting the right microphone to record acoustic guitar with minimal hassles. Just remember: don’t get discouraged if you fail at first – it takes time to know what works and what doesn’t when recording such a sensitive instrument. And lastly, good luck!